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Oct. 18th, 2009 @ 10:18 am "But I thought the old lady dropped it into the ocean at the end?"
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How glad am I that this year I dropped my usual boycott of TV talent shows in order to watch The X Factor? (Americans and other aliens: It's like the UK version of Idol, except there's four categories - boys/girls/over 25s/groups - and each of the judges mentors one group. It's the show that Leona Lewis won a few years ago.) Very glad, and not because of the talent of the contestants, most of them are awful. Even I can tell that they're out of tune more often than not.

No, it's because in a talent show where most of the acts are bad, the worst act are the most entertaining. In the groups category, there's Irish twins John & Edward ("He's John, he's Edward, together they are... John & Edward!") who in their audition were obnoxiously cocky and completely lacking in any singing ability. Yet they got through to the live shows because Louis Walsh is the groups' mentor and (a) he'll let anyone through as long as they're Irish and (b) just because it annoys Simon Cowell. This turns out to have been a genius move because in a show full of mediocrity, the astonishing awfulness of the twins is a genuine highlight. I was looking forward to them murdering "Oops I Did It Again" last night but I hadn't anticipated how close I'd be to wetting myself with laughter. Even watching it again I laugh every time. Gasp! At the costumes. Marvel! At how they even get the opening "yeah yeah yeah yeah yeah"s out of tune. Wonder! At dance moves so uncoordinated you can just about spot the bit where one of them accidentally punches the other. And just when I already thought it was the funniest thing on TV all year, there's what they do just after the 1 minute mark on the clip... By this point I was having trouble breathing.

Jun. 7th, 2009 @ 03:59 pm The annual "I haven't forgotten Al's still alive" post
tellyavatar
Apropos nothing more than getting one of the occasional update emails yesterday, I thought it was about time I did one of these little posts telling people to go and listen to Alistair Griffin's music. Some of you know (well, that's how some you know me in the first place) that I used to, along with a variety of other people, run Al's official fansite, but gave it up after a few years in favour of keeping my sanity. He does occasionally gig in That London but all the recent ones have coincided with something else so I've not been able to go - fingers crossed now my schedule's about to get a bit more, er, flexible, I'll have better luck.

Anyway, have a look over here if you're that way inclined - a couple of new songs, some of the old album tracks post-Fame Academy and a few covers. And "Is It Me" has gone back to the slow (better) version. The tracklist seems to change every so often, and once in a blue moon there's even a free download. Oh and he's got the requisite official Twitter feed. He'd never have got that if I was still running his site - I'd have advised him to do it and he never took my advice.

Hey, if I ever get a play produced, should I ask Al if he'll do the music?
May. 24th, 2009 @ 05:03 pm And he strikes like Thunderbastard
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Where I go to get my hair cut, they used to play talk radio, but mercifully the last couple of times they've changed this to Radio 2. This means some oldies thrown in with the newer stuff, and so far every time there's been something to get my mind working while I've been sitting there. For instance last month Dale Winton played Cilla Black's "Step Inside Love," which was needless to say a bit disturbing. Mainly because at the start when the song's softer, Cilla's singing is... well, not good, obviously, but it did sound as if she'd at least heard other people singing and was doing her best to copy the effect. But fear not! Once the chorus comes in she's back to the more familiar sound of a small woodland creature being violated.

Then last week when I went back, it was earlier in the day and Jonathan Ross was on, playing Tom Jones' "Thunderball." Now we can probably agree that's one of the best Bond themes, but it struck me that it's also probably the most honest. In that James Bond might be the hero but he's not exactly a nice man. And while Tom's happily roaring various bits of information about Our Hero, after almost every line you want to reply "bastard!" Don't know what I mean? Regardez:

He always runs while others walk
Cheating bastard!
He acts while other men just talk
Impatient bastard!
He looks at this world and wants it all
Greedy bastard!
So he strikes like Thunderball
Violent bastard!

He knows the meaning of success
So do I, I've got a dictionary thanks, you smug bastard
His needs are more so he gives less
Tight bastard!
They call him the winner who takes all
(to his face; behind his back they call him That Bastard)
And he strikes like Thunderball

Any woman he wants he'll get

Rapey bastard!
He will break any heart without regret
What a bastard!
His days of asking are all gone
Rude bastard!
His fight goes on and on and on
Repetitive bastard!
But he thinks that the fight is worth it all
Oh that's right, don't ask anyone else if it's worth killing them, you bastard
So he strikes like Thunderball
Still a violent bastard then

QED.
Jan. 12th, 2009 @ 01:50 pm Symbiotic
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There's a pattern forming, and I think it's working well: Daniel Boys does some kind of singing fabulousness on telly; [info]catnip25 pops it onto YouTube so the world and its auntie can watch; then I post it here where it gets and additional two-and-a-half viewers. Why mess with a winning formula?

Aw, bless. Although I have to say, too much Songs of Praise is not going to be the way to my heart - if he wants to retain his FH status it's no good having the face of an angel and acting like one. We need Mr Nice being naughty, hence the nudie avatar. [info]vanessaw and I have our penultimate Avenue Q trip next week, so let's hope he's on this time: I need to hear him singing about wanking again because me having thoughts about Daniel Boys that aren't impure is just wrong on all kinds of levels.
Dec. 13th, 2008 @ 05:20 pm Over and over and over and over again
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Peter Kay's alter ego Geraldine from Britain's Got the Pop Factor has a Christmas single out - "Once Upon A Christmas Song." Even though the joke's a pretty obvious one (and is basically the same gag as "The Winner's Song") the song's ridiculously catchy and has been stuck on my Internal Jukebox since it was first shown on Channel 4 last night. Is it another Gary Barlow co-write? It sounds like it.

And because the world would be a better place if we had Christmas every year, here it is:
Dec. 1st, 2008 @ 03:32 pm MyTunes
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I've acquired quite a lot of new music this weekend - I'd been meaning to download Will Young's new album for a while, and I finally did so. On a first listen it's pretty good, although none of the songs massively stand out. Vanessa also made me copies of a couple of other albums, the latest from The Feeling and Kaiser Chiefs. I've put them both on my computer and so far listened to the former, and liked it. Saving the Kaiser Chiefs one for later.

Of course, I also downloaded a certain song I mentioned last week - yes, my iTunes survived the gayness attack of the Barrowman/Boys "I Know Him So Well." Actually I nearly did an involuntary sex wee when FH's verse started - as a result Evil Alex and I will be repeating my birthday treat from last year and going to see the late matinee of Avenue Q on Friday. Well, this week is the debut of the "new" (mostly old) cast, and who can wait for the opportunity to see Daniel Boys and Julie Atherton on stage together? Not me, apparently, and not Evil Alex either.

Another track I downloaded was The Killers' great new song "Human," whose weird lyric "Are we human or are we dancer" is proving controversial - you'd think people would be used to meaningless lyrics in songs but they seem to be getting downright angry about this; very odd. Anyway, they've got it all wrong - it's "Are we human or are we Danza?" Clearly the song's a moving tribute to Who's the Boss.
Nov. 24th, 2008 @ 08:01 pm Tra La La
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Memo to [info]triomakesmehot! Break open your piggy bank and find somewhere that imports CDs from the UK, because your Favourite Gay¹ has a new album out today. It is, of course, John Barrowman, who (ironically I hope, but you never know with him) has named it Music Music Music. I know, he should have gone the whole hog and called it

Gay Gay Gay

No, somehow I don't think I'll be getting the album myself, although I may just manage to download the cover of "I Know Him So Well," which he duets with Daniel Boys. Quite apart from the presence of FH, it is literally the gayest thing in the history of civilisation, and that's got to be worth 79p of anyone's money. The only reason I haven't downloaded it yet is that I only got the Beautiful People album a couple of weeks ago, and my computer might explode from all the gay.

¹after me
Nov. 20th, 2008 @ 11:07 pm Theatre review: Monkey: Journey to the West
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OK, so that avatar's a dog not a monkey, but its dance isn't too far from [info]vanessaw's reaction every time I said "Monkey" to her in the last couple of months, ever since we booked to see this show. Happily, it managed to live up to her high expectations.


Technically Chen Shi-Zheng and Damon Albarn's composition is classed as an opera, although with the amount of different skills on display this is a real multimedia show. Designed by Albarn's frequent collaborator Jamie Hewlett, he also provides animation during scene changes (TV viewers in the UK will have seen Hewlett's character designs in the BBC's trailers for the Beijing Olympics.) The first act is Monkey's origin story, from being born out of a stone egg, through his search for a way to become immortal, to finally upsetting the Buddha and being imprisoned in his hand for 500 years. At the end he is released and along with Pigsy, Sandy and the White Horse joins the monk Tripitaka on a holy mission to India to bring Buddhist scripture to China. I have to admit that in this first half, although I was constantly impressed by the talents of everyone involved, and Monkey's swaggering walk (the role is alternated by Cao Jiangtao and Ren Xitao; there was no notice shown as to which of them was performing tonight) had me laughing every time, I wasn't entirely sold.

After the interval though the titular Journey to the West begins in earnest, and I was completely hooked. Where the first half is at times a bit flabby, this part zips along, the scene changes are smooth, and the spectacular use of scenery, acrobatics, martial arts and dance all work towards telling the story. Albarn's music is a typically eclectic mix of East and West, and I'm considering buying the album - my favourite moments musically were the Peach Banquet and the rapidfire Volcano City sequence.

If anything the show suffers from too much going on - you're kind of afraid to look at the translations at the side of the stage (the songs are sung in Mandarin) for fear of missing something. But ultimately too much is better than not enough. The show's been getting rave reviews around the world, and although I wasn't entirely convinced before the interval, the second act certainly justifies them.

Monkey: Journey to the West by Chen Shi-Zheng and Damon Albarn is booking until the 5th of December at Monkey's World at the O2.
Aug. 25th, 2008 @ 08:47 pm I can see I'm a little unstable
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Since I'm in a bit of a YouTube place at the moment, let's have this: The video for Will Young's new single, "Changes."

Crib sheet for Americans and other aliens! Will Young was the winner of the first series of UK Pop Idol, which makes him the first-ever Idol winner. He came out as gay a couple of weeks after winning the show, and this didn't stop him becoming one of the biggest recording artists in the UK, still successful today with his fourth album out soon. We're not supposed to mention the hair plugs, but frankly they're a lot better than Prince William's.

Actually I'm not loving the new song - it's OK but the chorus is a bit weak. And, aside from getting hit by lightning, the video's not as clever as usual. We'd better have "Switch It On," hadn't we? After yesterday's post about someone who's not only straight but also American, [info]triomakesmehot's probably feeling a bit disoriented, but surely this ticks all the boxes for her?
British - check
Gay - check
Fit - check
Lyrics that make it clear he's singing about another man (Mr Fabulous don't impress me) - check
Top Gun spoof video that somehow manages to be even gayer than the original film - check
Aug. 23rd, 2008 @ 12:02 pm Your purple prose just gives you away
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Last night my iTunes was, as usual, on random, and it played EMF's "Unbelievable" which was a nice pick-me-up at the end of a knackering week. One-hit-wonder they may have been, but who needs a second song when the first one's as much fun as this?


What's really unbelievable is that this was released in 1991 - there's already entire humans who can legally have sex who are younger than this song!

Zac the bassist died of an overdose in 2002. The only other thing I know about him is that he could fit an entire lemon under his foreskin. Which is great as a party trick, perhaps less so as an obituary.
Jun. 17th, 2008 @ 08:46 pm Moods
Moody Git
Current Mood: meh
Current Music: Alistair Griffin, "Is It Me"
Apologies in advance, this post rambles like nobody's business.

So it's been a weird couple of days in my head. I've been off the Prozac for a couple of weeks, not through choice but because my prescription ran out and I either kept forgetting to book a doctor's appointment to renew it, or when I did phone up there weren't any slots available (my doctor's very popular.) In the end I just asked to see another doctor at the practice so you'll be pleased to know my brain's chemical balance is on the way to being right again. In the meantime though I've been a right moody bitch, snapping at everyone.

It also doesn't help that it's been a while since the last OUT event. Much as I love the friends I've made there, I do often wish I had London-based friends who weren't connected to the website and events, just to give me a different social circle and make me less dependent on that specific social calendar (events tend to bunch up so for instance this month has been quiet so far, then in the next fortnight there's three events I can go to.) In short, when I've been home in the evening in front of the computer I've been a bit lonely (no offence to those of you I chat to online, but sometimes you do actually need to see someone in person.)

Which isn't to say anyone should worry that I've gone back into a proper depression (trust me, I'd know) but last night I had a really dramatic mood shift. As ever, I had my iTunes on random, and it rolled round to a (dodgy, recorded live) version of Alistair Griffin's song "Naked." For those who are relatively new round these parts, I co-founded and used to co-run Al's official fansite until a couple of years ago, when I pretty much ended up severing all ties. My contact with Al himself is now pretty much a couple of texts a year (for things like wishing happy birthday) which doesn't particularly get me down in itself (it's not like we were bezzie mates, our contact was mainly to do with promotional stuff and we only socialised a couple of times1) and I certainly don't regret leaving the site2. I do, however, miss there being new songs from him because whatever my experience with him and his fans, I genuinely think he's a hugely talented singer and songwriter who sadly got caught up in the backlash against reality TV popstars without having the big record label money behind him to fight against it.

Aaaanyway, back to my mood swings, and "Naked" is one of Al's more upbeat songs which made me want to listen to some more of his, so I listened to the downloads that were released last year by his short-lived band, Albion (and which are totally legal and everything kthxbai.) Unfortunately much as I love them most of those tracks are a bit more downbeat and I very abruptly went into a grump, not because of the songs themselves but a combination of all the history attached to them and the fact that there's not much sign of anything new being released any time soon.

Still, earlier today I had a look at Al's official MySpace, and despite the only things to look forward to being news of "hopes for a second album" and "writing a comedy project for the BBC" which have been around, ever-optimistic, since the year dot, I found it quite cheering. (I hadn't heard the new upbeat version of "Is It Me" before; I'm glad something's being done to deal with the problem Al himself was aware of a couple of years ago about him not having that many attention-grabbing punchy tracks to reintroduce himself with, and the new version works, but I do kinda miss the weird, atmospheric older version.)

Anyway, Al's MySpace with a couple of tracks on it is here; I'd be interested to know what the more recently-arrived Americans and other aliens round these parts think, since their ears won't have preconceptions.

Wow. It seems like ages since I posted about anything other than theatre and telly, it comes as a surprise sometimes to remind myself how disjointed the contents of my head can be, and how random the connections can get. Don't worry, I'm back on the evil!brain!drugs again3 so normal service should be resumed soon. In the meantime, sorry if you're used to the reviews and ting and thought this might be going somewhere. I don't think brains work that way. Mine certainly doesn't.

1although I'll always remeber walking down Oxford Street with him one night when a couple of drunk, aggressive looking guys walked past and one clearly recognised him (this was back when he was still on TV every so often.) I thought trouble was clearly in store but instead the guy's face just lit up and like a little kid he yelled "Oh my god! It's Alistair!" Al's response was along the lines of "that's what it's always like, I never get any aggro, everyone loves me except the radio."

2it roughly coincided with me starting this blog; frankly I think, self-involved as it may seem, if I was going to spend a lot of time on the net writing about someone it was probably better if it was about myself rather than somebody else; at least here I know if someone replies to a post it's because of something I've said, not because they hope I can get them in contact with their favourite singer. I couldn't, anyway.

3yes I know major doubts have been cast over Prozac's genuine effects recently, but all I can say is if it's a placebo it's been a remarkably effective one for me for over a decade.
Mar. 18th, 2008 @ 08:14 pm Ella, ella, eh, eh
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I'm currently a bit obsessed with the Manic Street Preachers' cover of Rihanna's "Umbrella." It's rather fab, and shits on the original:



That is all.
Jun. 30th, 2007 @ 04:06 pm Fragments
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A couple of bits and pieces from today:

- Just a couple of days after I plugged their newest song to make it onto the net, "Blown Away," (and did you all go listen to it and tell me what you thought like I asked? Did you bollocks...) Albion have put a new version of an old track up and this time it's downloadable. You really do need to hurry with this one though, they say their downloads are only available for a limited time and they mean it - they're usually only up for a couple of days. This one's "I Have Lived," an acoustic effort. It's a fan favourite and a bit of a tear-jerker.

- It's nice to be nice. In Covent Garden this morning I overheard a couple of confused girls looking for Neal Street. I walked back and told them they were on the wrong side of the Piazza and they needed to go past the Tube station and straight up. They were mildly grateful. OK, I know it's not rescuing a baby from a burning building but give me a break, I like these little indications that I'm A Good PersonTM.

- I've been paid so I've booked some more theatre trips. Vanessa's coming along to Elling, Sean and Ian are coming to In Celebration with me; I didn't have any takers for Boeing Boeing, All About My Mother or The Bacchae so I'm going to those by myself WHICH IS NOT WEIRD NO MATTER WHAT ANYONE SAYS. The offer's still open for Fiddler on the Roof, that's still got some time to run so I won't be booking that yet.

- Today's the last day that smoking in public, enclosed places is legal in England. Hopefully I'll be staying off the fags so this shouldn't affect me directly but I think everyone will be affected in one way or another. I do agree with the move, honest, but in future if I go to the pub with a smoking friend, every so often I'll be stuck alone at the table while he or she nips out for a quick puff. I'll have to start bringing a book with me.
Jun. 27th, 2007 @ 01:21 pm When water was wine
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Once again it's time to plug a great new song by Alistair's band Albion. "Blown Away" is the new track - it's not currently available as a download so it could be gone at any time, get there while it's hot etc. (You can also hear it on their Bebo or MySpace pages if the ReverbNation one doesn't work for you.)

Let me know what you think, especially if you're of a non-UK persuasion and have no preconceptions about Al's music. And obviously if the other songs are new to you give them a go as well, OK I'm biased but I reckon they're all pretty good.
Apr. 20th, 2007 @ 01:47 pm You're listening to KOMA FM
Moody Git
Current Location: work
Current Mood: irritated
Current Music: Magic Bloody FM
Fearless Leader has "kindly" allowed Customer Services to have the radio on in the office today. Sadly this means we have the MOR-tastic sounds of London's Magic FM.

Oh Magic FM, how do I hate thee, let me count the ways. The obvious candidate has to be the monotony, the fact that almost every song chosen (ballads, natch) seems to have the exact same tempo, keeping you in a constant state of living death. How do they manage to match the songs so well? Easy, they only have half a dozen. I know all radio stations are restricted to a playlist but Magic seems to be on a two-hour loop. I've heard "Crazy For You" three times already today and it's only lunchtime. Any radio station gets repetitive after a while but this one gets boring as soon as you let go of the dial.

The worst thing about it though is that it actually plays a lot of songs I really like. You see, good acts and good stations have a bit of variety in their sound, and sometimes you want something a bit more mellow in between the upbeat stuff. In between, Magic FM, is that really so hard to do? But no, you've got to go and spoil perfectly good Beach Boys and Scissor Sisters tracks by mixing them into this nonstop audio coma. Damn your eyes!
Apr. 3rd, 2007 @ 01:04 pm Long-overdue plug
Shifty
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I don't mention Alistair and Albion often enough on here, largely because the time I've been writing this blog has coincided with me not knowing whether or not I wanted to continue being involved in their fan website. Mags and I recently had a conversation that led to a bit of a happy medium: I'll still be involved on the new website as a writer and co-owner, but not in the day-to-day stuff and the forum. Anyway, all that's for another time, I'll do a proper post sooner or later.

The point is I haven't given Albion a decent plug on here for ages and that might suggest I've gone off their music. Not at all - I'm really excited about the new stuff I've heard from them, and here's the video they've put together for one of their songs: "Happiness." Hope you like.

Jun. 21st, 2006 @ 09:47 pm The pop that dare not speak its name
Shifty
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After 42 years, Top of the Pops has died not with a bang but a whimper. There's not been much of an outcry about the end of world's longest-running TV music show, certainly not compared to the end of Smash Hits magazine earlier this year. Probably because we've been hearing about TOTP's demise for so long, with the last decade seeing it being shunted to increasingly unfavourable timeslots, that it doesn't so much seem to have been cancelled as put out of its misery. Still, it's the end of an era that brought such memorable moments as the Jackie/Jocky Wilson confusion, Everything But The Girl's lip-synch disaster, and a mousey-haired little bloke in glasses leading the audience in punching the air to "Bring It On." What do you mean I'm the only person the last one's memorable to?

So is this another sign that pop music is dead and over? Actually for once I'm going to be positive about music. Ish. It all depends on how it's handled but we could be on the verge of a new golden age of pop. It's just that nobody's going to call it that. Because the "P" word is a bad word, sullied forever by its association with endless manufactured music, some of which was atrocious, a lot of which was fucking genius but got lumped in with the shit anyway. Guitar bands came along, told us that pop wasn't cool anymore, and sentenced us to an eternity of joyless rock. But check out XfM at the moment: It's mostly a pop station, it just doesn't realise it. The guitar bands said they'd killed pop, only for their immediate successors to resurrect it with a vengeance.

Scissor Sisters probably wouldn't hesitate to call their music pop, and I suspect Kaiser Chiefs would admit that's what they're making as well. Both huge bands at the moment, both producing songs that both musically and lyrically are full of joy and enthusiasm. Kaiser Chiefs' lyrics in particular are amiably bonkers, with knowingly forced rhymes and references to Pac-Man, backstreet dentists and putting the "punk" into "punctured lung." And neither band is making fun of the music, even if they have a sense of humour about themselves. They're not a parody, they're not The Darkness. They're pop bands that make music to make people happy, and they're huge. I'm not a fan of Keane but they're definitely a pop act as well, although I imagine they'd reject the term, as would Orson, The Feeling, Kooks, The Zutons, The Automatic, Primal Scream, all of whom are making great pop music at the moment while nobody dares to mention the dreaded "P" word. And now Muse - Muse for fuck's sake. They're supposed to be guitar-rock miserablists who I couldn't name a single tune by, and they've gone and released "Supermassive Black Hole." It sounds like Scissor Sisters. It sounds like Britney Spears. It sounds bonkers and I can't stop playing it.

Since I got the new PC I've been using iTunes a lot, and I've realised it's not just because it's my new toy, but because there's lots of new songs I want to download at the moment. Of the bands I mentioned above, iTunes only classifies Primal Scream's "Country Girl" as pop, the rest being called "rock" or "alternative" or "electronic." So the word's not back in fashion again. Maybe it never will be. But the music itself is back. Which is great news for me, not only because for once I think the music landscape might be almost ready to accept my friend's band with their guitar-based pop music, but because at any given time, the radio playlists have several songs on them I actually want to listen to. About bloody time.
Apr. 15th, 2006 @ 12:03 pm Defenceless pop stars breathe a sigh of relief
Moody Git
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Today was the last outing of Simon Amstell and Miquita Oliver as presenters of Popworld on Channel 4. I've always had mixed feelings about them. On the one hand, when Popworld first came on the scene, they were much needed - the way people interviewed pop stars was way too indulgent, so when Simon (mocking people to their faces) and Miquita ("the poster-child for apathy" (C) Someone Else) arrived, they were a much-needed shot in the arm. I've definitely laughed loads of times at their interviews (not least of all the notorious incident when the openly gay Simon interviewed a homophobic rapper, now long-forgotten, and dealt with the issue by flirting outrageously with him throughout the interview, and passing him his contact information written on pieces of fruit.)

But since the show started, the music landscape has changed a lot in this country. It's much more openly cynical, and with the advent of reality-TV talent shows it's become much more fashionable to make fun of anyone who wants to make music. I don't want to be biased against Popworld because a friend of mine was among those to come under fire from their scorn, and I still think they did a great job to the end because they were critical of everybody, not just those who are currently out of favour with the press (witness Simon asking supposed musical genius Pete Doherty if he had any idea where he was or what he was doing.)

I think my conclusion is that I'm fine with them being as full-on as they like to people's faces, when the pop stars have the chance to play along, or dig themselves in deeper, but there are times when they've been nice to people's faces then ripped them to pieces after they've shown the clip, and that's just cowardly. Sadly it was the latter they chose to do when Al went on the show, and it's a shame 'cause I think he could have given as good as he got if he'd had the full-on treatment. (I remember Miquita laughing at Al after the interview because he hadn't given an answer she found satisfactory to the question "what makes you different from every other pop star?" In fairness a hard question that's totally subjective, and if she'd wanted lots of answers maybe she should have asked lots of different questions rather than the same one over and over.)

Still, end of an era and all that. Next week, two new presenters. Will they make me laugh or will they just be rude? I'll give them the benefit of the doubt but with the way TV is going I know which way I'd bet.

(0 days to New Who Two, huzzah!)
Mar. 12th, 2006 @ 03:09 pm You can't stop the music
Moody Git
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Once again it seems like The Hits is determining the content of my blog entries. It's interesting, I suppose it shows me that I'm more preoccupied with music and musicians than even I realised. Sadly it's a cheapo music request channel that has to be my inspiration, but I've only got Freeview so even their shitty "themed weekends" are second-hand, so those of you with Sky probably saw this on the Smash Hits channel a few weeks back.

This week's sloppy seconds is "Pop Disasters Weekend." Let's not go into the whole thing about it being just Pop music that apparently has disasters, as if rock, indie and r'n'b don't serve up shit on a daily basis, but just because pop's out of favour at the moment it can carry the can. And I have no problem with them making fun of pop stars if the joke is "Bloody hell Madonna, that particular makeover didn't really work did it?" or "Exactly how much did you spend on that video to dress up like robots, Backstreet Boys?" or "Do you sleep well at night after remixing 'Axel F' and adding an annoying frog on top of it to relieve kids of their pocket money?"

But yesterday we had "Top 20 Bad Reality TV Acts," and today it was "Top 20 Bad Boybands" and the joke in both cases is clearly "Look at these muppets! They really wanted to make music, so they spent weeks auditioning, either behind the cameras or in front of them, they got to the very end, released a single then no radio station played it, it flopped and the silly cunts got dropped! Hahahaha!" I'll try and leave aside any personal involvement I may have due to knowing one of the people being made fun of, and having met a couple of the others whilst stalking attending gigs, and just say that this is cheap, mean-spirited and ultimately not a constructive way for a music channel to fill its schedules.

Again, I'm going to try not to get sidetracked into issues like the fact that a lot of these failures were not down to the artists themselves, who probably did their best, but to record companies who released the wrong song, radio stations who refused to play it, newspapers who made fun of them etc. Most of the acts in these "Bottom 20's" were, in my opinion, absolute shit. A few showed promise and a couple I thought were great and not given a fair chance. Whatever the reasons for their demise, they now find themselves a couple of years down the line, and the only way they'll see their video on the music channels is if they're being made fun of for never becoming superstars.

There's also "hilarious" captions for every track, digging the knife in. Now I don't have any time for either Michelle McManus or Rik Waller as musicians, but all the captions for those two were just making fun of their weight. Sure, make fun of Waller's video for being such a soft-focus joke it makes Ricky Gervais' "If You Don't Know Me By Now" parody look normal, but is "haha, look at the fat fuck" the best you can do?

I know I was going to try not to bring personal connections into it, but because I know Al it means I remember that it may not have got to #1 in the sales charts but "Bring It On" was #1 in that channel's phone and text voting charts for a good few weeks. That means The Hits made lots of money off him, and a couple of years later here they are kicking him when he's down. Actually to make it less personal, wasn't "Dragostea Din Tei" #1 in their requests for ages as well? And there's O-Zone at #2 in their worst boybands ever. Sure, make fun of them for their dated, Eastern-European look, but remember it wasn't that long ago that people in this country put a song at #1 when they couldn't understand a word of it, simply because it was unashamed pop and we hadn't had much of it in this country for a while.

I dunno... all I can think when I see things like this is, how long can they keep doing this until young people interested in music start saying "Fuck this for a laugh, it's bad enough that it's a hard business but after they've made money out of you they'll just turn you into a laughing stock as well? Nah, I'll sell the guitar, I'm goin' to Law School..." Maybe the TV channels who profit from music should start showing some respect to the people who make the damn music in the first place.