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So anyway,
Because what the Net really needs is another person sharing his uninformed views
Theatre review: Twelfth Night 
15th-Jan-2009 11:25 pm
It's a Shakespeare-heavy start to the year, and first up we have Twelfth Night, the second of the Donmar Warehouse's season at Wyndham's. The big-name draw this time is Derek Jacobi as Malvolio, but there's plenty of familiar faces elsewhere in the production. Director Michael Grandage and designer Christopher Oram give us quite a fast-paced, pared-down Twelfth Night, with both the set and the action having a no frills quality. There's been many mentions that this is quite a light production, not really exploring the melancholy inherent in the play, and nowhere is this more obvious than in the scene of Malvolio in the dark room, which doesn't have the bleakness that I usually associate with it - if anything, Malvolio's torment ends not because Sir Toby regrets how far he's allowed things to go, but because he's got bored of the games.

If some of the play's nuances have been lost, it's a trade-off for a great deal of clarity in the storytelling, and a very funny production. It boasts some of the strongest performances I've seen in the play, starting of course with Jacobi's misguided, rather than malevolent, Malvolio. The real test is of course the scene of him reading "Olivia's" letter, and here the standout moment is how long it takes him to notice that "M" is his own initial, despite looking for clues hinting at his identity. His reading of this scene may eclipse Desmond Barritt's, which I remember very clearly from years ago, but which was a broader performance. Elsewhere Guy Henry was a particular favourite of vanessaw's as Sir Andrew, while Ron Cook makes for a sturdier-than usual Sir Toby Belch. Indira Varma (of Rome and Torchwood fame) is a fantastic Olivia, with brilliant and very subtle timing. Vanessa and I disagreed on Alex Waldmann's Sebastian: She wasn't too impressed (though she noted he looked "quite dishy" in a tight vest) whereas I thought he was by leaps and bounds the best Sebastian I've seen - it's a bit of a thankless role as he's not in it much, and when he is it's basically to act as Viola's double and cause confusion, but I thought Waldmann gave him a great deal of personality. You could just put this down to me being biased because I saw him flash his hairy bits in last year's Troilus and Cressida, but judging from the audience's reaction I wasn't alone - he got huge laughs with almost every line and gesture. The impressive performances elsewhere made up for Victoria Hamilton's lacklustre Viola, while Mark Bonnar's Orsino barely registers until the end.

Overall this is a very funny, if strangely one-dimensional approach to one of Shakespeare's best-loved comedies. Twelfth Night by William Shakespeare is booking until the 7th of March at Wyndham's Theatre.
(Deleted comment)
16th-Jan-2009 01:24 pm (UTC)
I actually didn't like it at school, but then we were taught it by a teacher who hated it. Once I'd actually seen it onstage and studied it again at University, I appreciated it properly.

Edited at 2009-01-16 01:24 pm (UTC)
(Deleted comment)
16th-Jan-2009 02:13 pm (UTC)
are you maintaining a level of withdrawn modesty?

Well, maybe aloof modesty.
22nd-Jan-2009 01:24 pm (UTC) - Twelfth Night
I was intrigued by your review, and really enjoy your writing. I went last night and thought it a brilliant ensemble production, with excellent verse speaking all round. I particularly loved Victoria Hamilton, who has such superb timing and such an expressive face. Having never seen Alex Waldmann before, I was very impressed. The final recognition scene was beautifully directed, and very touching.

There were plenty of homoerotic moments too. The opening was a surprise when Mark Bonnar ran on with a clear semi under his pajamas. He seemed not to be wearing underpants, and his sizeable cock bounced away as he moved around. Alex looked very fetching when he ran on wet from his swim, and as he lay down feet first to the audience we were treated to quite a bulge. It would have been even more delightful had he taken off his shirt.(Stops for cold shower...)

Looking forward to reading more this year. All the best
22nd-Jan-2009 11:43 pm (UTC) - Re: Twelfth Night
Funnily enough as far as the homoeroticism went, I was surprised by how much they didn't look at that element of the Sebastian / Antonio relationship; the casting of Sebastian as a pretty boy and Antonio as a bit of a bear suggested they'd play that up, but at times I found it weird how much they underplayed how much Antonio's lines are those of an older boyfriend towards his younger lover.
23rd-Jan-2009 02:12 am (UTC) - Re: Twelfth Night
Which just goes to show how wonderful live theatre is - every performance is different, and we each have our own experiences!
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